Our story

Handicrafts of Northeast India, exactly as they are made

Earth grown, hand finished.

Every piece here begins with something the earth gives: silk, metal, wood. In Northeast India, practised hands turn it into something worth keeping.

Wildtera brings that piece to you with the maker’s name on it, and then steps aside.

A wooden handloom in a weaving shed, a pirn of thread resting on its frame and a cream Muga cloth scattered with red motifs hanging over it.

Who we are

The maker comes first

Wildtera is a home for the handicrafts of Northeast India. It works for the people who make them: the weaver, the bell metal smith, the wood carver, the jeweller.

Each piece is chosen in person, in the village, with the person who made it. Wildtera buys it from them directly. No trader, agent or wholesaler stands between the maker and us.

The maker’s name travels with the piece. It is on the product page, on the maker’s own page, and on the card inside your parcel.

Meet the makers
A weaver seated at her loom, seen from behind, a bamboo frame and hanging warp threads in front of her.
September 2026. A working loom shed, photographed while it was working.

From their hands

Four steps, the same four every time

Every piece takes the same road from the maker’s hands to yours.

  1. Step 1. Met at the source

    The piece is chosen in the village, with the person who made it, in their home or their workshop. The material, the tools and the motifs are written down there, with the maker.

  2. Step 2. Seen before it is listed

    Nothing is listed unseen. Where a craft holds a Geographical Indication, the product page names the registration and its year. Where it does not, the page says nothing.

  3. Step 3. Written down

    Material, origin, technique, dye and motif go on the product page as a short record you can read before you buy. If something is not known, it is left out. Nothing is guessed.

  4. Step 4. Named, packed and sent

    The maker packs the piece with a card inside that carries their name.

Earth grown

It begins with what the earth gives

Muga silk is golden because the thread itself is golden. No dye puts that colour there.

Eri silk is spun, not reeled, because its cocoon is open at one end.

Brass and bell metal are beaten into shapes that are used for generations, not seasons.

A handloom runs on hands and feet. It needs no electricity.

None of this was invented to look green. It is how these things are made here: largely by hand, in small numbers, to last. Keeping these crafts in use is the most honest way Wildtera knows to help make the world a little greener.

How each piece is made
A wall of bamboo bobbin winders, each wound with a different colour of yarn, above a rack of shuttles and reeds.
The tools of one shed: winders, shuttles, and the yarn already wound.

Hand finished

A loom that is working is a loom that stays

Handicraft in Northeast India is living work. A day at a loom must be worth more than a day spent on anything else. The same is true of a forge, a carving bench and a woodworker’s verandah.

Wildtera designs nothing. The material, the technique and the motifs belong to the maker and to the place they come from.

You can see the hand in the finished piece. The weft is packed a little differently from row to row. Colour laid in by hand sits a little differently along six metres of cloth. No two beaten bowls ring quite alike. That is not a flaw. It is the maker’s signature.

When you choose a piece, that skill earns its place at home. A daughter or a son has a reason to learn it. And the maker is free to attempt their finest work.

Two hands smoothing a carved wooden elephant with a fold of sandpaper, the grain of the wood showing through its dark finish.
A carved elephant, smoothed by hand.

Seen as it is

The pictures are plain on purpose

The light is daylight. There is no studio.

You will see bare walls, old timber, yarn on the floor and tools left in the frame. Nothing was tidied away.

A loom shed seen through the timber frame of a loom, a marigold and pink saree lit by the window beyond it.
No backdrop was hung. A loom shed, lit by its own window.

Where to go next

Start with the craft

Every piece here is an argument about time. The craft page makes that argument properly.

Or go straight to the pieces and read their records.

Discover your heirloom piece